On stage

Before the marketing,
there was the stage.

Finalist floors, world championships, a few stages you might recognize from TV. Everything I know about holding an audience, I learned here first.

Drum Corps International

WGI & indoor percussion

  • Pulse Percussion, 2009 — Drum SetWGI World Championship Finalist
  • Riverside City College, 2010–2013Snare · Gold (2012), Silver (2011, 2013) — the same RCC program whose social I now produce

Television & live

  • Glee (FOX), 2011–2014Drum set & snare · S3E3 · S5E15 · S9E5
  • Disneyland Resort, 2017–2020Snare · Holiday Toy Soldiers, Jammin' Chefs, Disneyland Band
  • Tournament of Roses, 2010Snare · opening ceremony

Educator: 15+ years as a private instructor, ensemble instructor, and international clinician — teaching students from ages 6 to 60.


Why it matters to a brand

Playing in an ensemble is mostly listening — reading the room, holding a moment, trusting the people beside you, serving something bigger than your own part. It's the same muscle a great campaign uses, and I built it in some of the most demanding rooms in the activity.

It's also why this work feels like home. I'm not studying these communities from the outside — I've spent my life inside the craft, and I bring that same care to everything I make for a brand.